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Botox, bulimia, breast implants: Eve Ensler, author of the
international sensation The Vagina Monologues, is back, this
time to rock our view of what it means to have a “good body.”
“In the 1950s,” Eve writes, girls were “pretty, perky. They
had a blond Clairol wave in their hair. They wore girdles and
waist-pinchers. . . . In recent years good girls join the army.
They climb the corporate ladder. They go to the gym. . . . They
wear painful pointy shoes. They don’t eat too much. They . . .
don’t eat at all. They stay perfect. They stay thin. I could
never be good.”
The Good Body starts with Eve’s tortured relationship with
her own “post-forties” stomach and her skirmishes with
everything from Ab Rollers to fad diets and fascistic trainers in
an attempt get the “flabby badness” out. As Eve hungrily seeks
self-acceptance, she is joined by the voices of women from L.A. to
Kabul, whose obsessions are also laid bare: A young Latina candidly
critiques her humiliating “spread,” a stubborn layer of fat
that she calls “a second pair of thighs.” The wife of a plastic
surgeon recounts being systematically reconstructed–inch by
inch–by her “perfectionist” husband. An aging magazine
executive, still haunted by her mother’s long-ago criticism,
describes her desperate pursuit of youth as she relentlessly does
sit-ups.
Along the way, Eve also introduces us to women who have found a
hard-won peace with their bodies: an African mother who celebrates
each individual body as signs of nature’s diversity; an Indian
woman who transcends “treadmill mania” and delights in her
plump cheeks and curves; and a veiled Afghani woman who is willing
to risk imprisonment for a taste of ice cream. These are just a few
of the inspiring stories woven through Eve’s global journey from
obsession to enlightenment. Ultimately, these monologues become a
personal wake-up call from Eve to love the “good bodies” we
inhabit.
From the Hardcover edition.
Necessary MonologuesReviewed by Susan Keng, 2008-12-17
Every woman should read this book and reclaim control over their
body image. What a
different world it would be if we could once again eat bread and
pasta and chocolate with pleasure and hunger and satisfaction,
instead of in shame and with guilt. If we stopped dieting, stopped
obsessing, stopped suppressing our needs, we would be well
nourished and our minds would be clear and we would not continue to
harm ourselves. We would love our bellies, respect the source of
our strength and balance. (What a concept, right?)
Ensler's writing on this subject is emotionally compelling,
absolutely necessary, and ultimately empowering. If all the women
in the world started celebrating their diverse beauty and talents
and accomplishments, women's magazines as we know them would become
extinct.
I agree with the criticism that THE GOOD BODY could have more
accounts (maybe just one more) inspired by Asian women (I loved
Priya, the fit and fat "Indian treadmill lady"!), but I appreciate
the fact that each voice is vivid and to the point. And by the way,
anyone who thinks that most Asian women are happy with their bodies
is living under a rock! Right now Asia - particularly East Asia -
is probably the epicenter of eating disorders among women.
Brilliance, in Ensler FormReviewed by Graceann Macleod, 2008-09-20
Eve Ensler is constantly astounding. Her work is thought-provoking
and by turns funny and heartbreaking. The Good Body is no
exception. A play presented here as a series of essays, it
confronts what all women encounter on a daily basis; the ongoing
fight to accept and celebrate our bodies as they are, without
modifying them to fit some magazine peddler's notion of what is
"beautiful."
Eve hates her stomach - as she fights with it and struggles to
accept it, she meets many other women who are fighting (or have
won) the same battle. Beautifully realized, and I wasn't able to
put it down until I'd read every page. It is a very tiny book; only
about 90 pages, but every one is a stunner.
Short but to the pointReviewed by I LOVE BOOKS, 2008-02-03
Most reviews are quite descriptive, so my comment will be as brief as the book is in itself, but do not be fooled: it contains everything you need to know in order to appreciate what you have been blessed with, even if it includes a few extra pounds here and there or the inevitable wrinkles (of life or otherwise). It is okay to take care of our bodies, trying to live as healthily as possible, as long as nothing becomes an obsession, true path to an unbalanced, unhappy life.
I liked it better.Reviewed by S. Jefferson, 2007-02-09
Last week, I listened to the audiobook of Vagina Monologues. I was left feeling, well, scattered. They were all on the same topic but it's hard for me to think about female genital mutilation and then immediately hear an orgasm. It was still great. But this week, I listened to The Good Body on audiobook. I loved it. It did not focus on my vagina, which was great because I'm more than just a vagina. I'm a whole body. And Eve Ensler perfectly depicts stories of bodies. It is told through a personal narrative that makes it more pleasing to listen to. At the end, you've been told a good story, not bits and pieces of many stories.
Loving the country that is the bodyReviewed by Jean E. Pouliot, 2007-01-17
"The Good Body" is a crude, soulful "cri-de-coeur" from a woman
mourning the theft of her body by the forces of Western capitalist
culture. Eve Ensler, author of "The Vagina Monologues" turns her
attention to her belly, playing various characters who have loathed
themselves because of the imperfection of their bellies, breasts
and other body parts. She plays heroines - some well-known such as
Helen Gurley Brown and Isabella Rosellini - who have internalized
the messages of mothers and lovers -- and have in one way or
another run from the bodies nature gave them. Other characters - a
Hispanic woman worried about her "spread," a woman undergoing yet
another liposuctions and tuck at the hands of her plastic surgeon
husband - give voice to the inner panic that is (Ensler suggests)
the inner core of many women in our society.
The audio CD is well worth hearing to hear Ensler's voice -
alternately strident, pleading, shrinking and booming her message.
Throughout the book, Ensler weaves her own story of body hatred,
striving ever toward the love of body that she portrays as natural
in Asian and African cultures.
I found the performance fascinating. I'd like to know more about
the real women Ensler plays. Are the details she relates - like
breast removals - real, or are they Ensler's own fantasy? It would
diminish her story if she invented facts about actual people. It
would also help if she spent a little less time in hyper-feministic
anti-patriarchal ranting, as through the blame for her
self-perception was entirely "out there," in culture's twisted view
of bodily perfection. Yet her story, with or without embellishments
- is a stark view inside the prison that body image can be for many
women.